ChansonRolandV7, Main, Exploration, bibRecord, 001126

The odyssey of Orpheus: The evolution of solo singing

Identifieur interne : 001126 ( Main/Exploration ); précédent : 001125; suivant : 001127

The odyssey of Orpheus: The evolution of solo singing

Auteurs : Richard Miller [États-Unis]

Source :

Journal of Voice [ 0892-1997 ] ; 1996.

RBID : ISTEX:59D31148847501AE9B145D9DB8814C310906A79F

Descripteurs français

Wicri :
- topic : Eurydice.

English descriptors

Entity :
- geog : Ill, Rhine.
- org : Biblioteca Nazionale Marciana, Congress, Nazionale Marciana, Oxford University, Society for Ethnomusicology.
- pers : A. Hark, Adalgisa, Aimeric de Peguilhan, Angelus Domini, Anna Renzi, Anthropologists, Antonio Sartorio, Arie Antiche, B. Lo, Beatrix, Bernart de Vencadorn, Bernart de Ventadorn, Carl Orff, Charles Bataille, Charles Santley, Claudio Monteverdi, Compositional, Crete, Desmond Morris, Folquet, Franz Tunder, Frederick Barbarossa, Frederick Husler, G. Paul, G. Reese, G. Schirmer, George Crumb, Guillaume de Poitier, Hans Hermann, Hans Sachs, Heinrich Sch, I. Der, Ingmar Bergman, Jack Point, Jenny Lind, Julius Stockhausen, King Henry, King Saul, La Traviata, Lucia di Lammermoor, Manuel Garcia, Martin Luther, Mathilde Marchesi, Maxwell Davies, May Accompanied, Oswald von Wolkenstein, Peter, Poets, R. Miller, R. Strauss, Richard Coeurde-Lion, Richard Miller, Richard Strauss, Richard Wagner, Thy Son, Ton, U.S.A. Summary, Von Wolkenstein, Yvonne Rodd-Marling, de Ventadorn, von Strasbourg.
- place : America, Delphi, Europe, France, Frankfort, Germany, Greece, Halle, Israel, Mantua, Marseille, Munich, Paris, Philippines, Salzburg, Tunisia, Venice, York.
KwdEn :
- Chant, Chorale, Eurydice, Folksong, Gaukler, Goliard, Jongleur, Meistersinger, Minnesinger, Opera, Orpheus, Troubadour, Trouvère.
Teeft :
- Ancient greek, Anthology, Appel, Aria, Beata viscera, Chant, Chorale tune, Ecclesiastical student, Ethnic idiom, Feste burg, First delphic hymn, Folk music, Goliard, Greek drama, Gregorian chant, Grove dictionary, Han sachs, Healthy accomplishment, Historical anthology, Holy bible, Hons pris, Human larynx, International folk music council, Jongleur, Lasciatemi morire, Late medieval period, Love song, Lutheran chorale, Martin luther, Mary mother, Maxwell davy, Meistersinger, Melodic excursion, Melodic line, Minnesinger, Monteverdi, Musical instrument, Negatemi respiri, Orpheus, Oxford university press, Public theater, Singer, Solo, Solo literature, Solo singer, Solo song, Solo vocal literature, Solo voice, Speech range, Speech rhythm, Tire middle age, Troubadour, Troubadour movement, Urban life, Vocal, Vocal demand, Vocal instrument, Western civilization.

Abstract

Summary: Notated sacred solo song dates from 1,000 B.C. Early secular song exhibits modest vocal demands of chant-like character. Popular song and liturgical solo song share common origins. Western European secular song notation began in the early Medieval Age. Compositional writing for solo voice took a dramatic turn toward virtuosity about 1600. By the mid-17th century, the modern solo voice emerged. “Classical” solo vocal literature is not static but is constantly evolving, requiring skills far in excess of those of speech or of early solo song literature; this is equally the case with ethnomusicological and popular singing styles. Efficient use of the singing instrument is essential to the healthy accomplishment of all of these literatures.

Url:

https://api.istex.fr/ark:/67375/6H6-XKNCH8F7-9/fulltext.pdf

DOI: 10.1016/S0892-1997(96)80038-5

Affiliations:

Links toward previous steps (curation, corpus...)

to stream Istex, to step Corpus: 001267
to stream Istex, to step Curation: 001263
to stream Istex, to step Checkpoint: 000F23
to stream Main, to step Merge: 001137
to stream Main, to step Curation: 001126

Le document en format XML

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<term>Society for Ethnomusicology</term>
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<term>Adalgisa</term>
<term>Aimeric de Peguilhan</term>
<term>Angelus Domini</term>
<term>Anna Renzi</term>
<term>Anthropologists</term>
<term>Antonio Sartorio</term>
<term>Arie Antiche</term>
<term>B. Lo</term>
<term>Beatrix</term>
<term>Bernart de Vencadorn</term>
<term>Bernart de Ventadorn</term>
<term>Carl Orff</term>
<term>Charles Bataille</term>
<term>Charles Santley</term>
<term>Claudio Monteverdi</term>
<term>Compositional</term>
<term>Crete</term>
<term>Desmond Morris</term>
<term>Folquet</term>
<term>Franz Tunder</term>
<term>Frederick Barbarossa</term>
<term>Frederick Husler</term>
<term>G. Paul</term>
<term>G. Reese</term>
<term>G. Schirmer</term>
<term>George Crumb</term>
<term>Guillaume de Poitier</term>
<term>Hans Hermann</term>
<term>Hans Sachs</term>
<term>Heinrich Sch</term>
<term>I. Der</term>
<term>Ingmar Bergman</term>
<term>Jack Point</term>
<term>Jenny Lind</term>
<term>Julius Stockhausen</term>
<term>King Henry</term>
<term>King Saul</term>
<term>La Traviata</term>
<term>Lucia di Lammermoor</term>
<term>Manuel Garcia</term>
<term>Martin Luther</term>
<term>Mathilde Marchesi</term>
<term>Maxwell Davies</term>
<term>May Accompanied</term>
<term>Oswald von Wolkenstein</term>
<term>Peter</term>
<term>Poets</term>
<term>R. Miller</term>
<term>R. Strauss</term>
<term>Richard Coeurde-Lion</term>
<term>Richard Miller</term>
<term>Richard Strauss</term>
<term>Richard Wagner</term>
<term>Thy Son</term>
<term>Ton</term>
<term>U.S.A. Summary</term>
<term>Von Wolkenstein</term>
<term>Yvonne Rodd-Marling</term>
<term>de Ventadorn</term>
<term>von Strasbourg</term>
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<term>Delphi</term>
<term>Europe</term>
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<term>Frankfort</term>
<term>Germany</term>
<term>Greece</term>
<term>Halle</term>
<term>Israel</term>
<term>Mantua</term>
<term>Marseille</term>
<term>Munich</term>
<term>Paris</term>
<term>Philippines</term>
<term>Salzburg</term>
<term>Tunisia</term>
<term>Venice</term>
<term>York</term>
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<keywords scheme="KwdEn" xml:lang="en"><term>Chant</term>
<term>Chorale</term>
<term>Eurydice</term>
<term>Folksong</term>
<term>Gaukler</term>
<term>Goliard</term>
<term>Jongleur</term>
<term>Meistersinger</term>
<term>Minnesinger</term>
<term>Opera</term>
<term>Orpheus</term>
<term>Troubadour</term>
<term>Trouvère</term>
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<term>Anthology</term>
<term>Appel</term>
<term>Aria</term>
<term>Beata viscera</term>
<term>Chant</term>
<term>Chorale tune</term>
<term>Ecclesiastical student</term>
<term>Ethnic idiom</term>
<term>Feste burg</term>
<term>First delphic hymn</term>
<term>Folk music</term>
<term>Goliard</term>
<term>Greek drama</term>
<term>Gregorian chant</term>
<term>Grove dictionary</term>
<term>Han sachs</term>
<term>Healthy accomplishment</term>
<term>Historical anthology</term>
<term>Holy bible</term>
<term>Hons pris</term>
<term>Human larynx</term>
<term>International folk music council</term>
<term>Jongleur</term>
<term>Lasciatemi morire</term>
<term>Late medieval period</term>
<term>Love song</term>
<term>Lutheran chorale</term>
<term>Martin luther</term>
<term>Mary mother</term>
<term>Maxwell davy</term>
<term>Meistersinger</term>
<term>Melodic excursion</term>
<term>Melodic line</term>
<term>Minnesinger</term>
<term>Monteverdi</term>
<term>Musical instrument</term>
<term>Negatemi respiri</term>
<term>Orpheus</term>
<term>Oxford university press</term>
<term>Public theater</term>
<term>Singer</term>
<term>Solo</term>
<term>Solo literature</term>
<term>Solo singer</term>
<term>Solo song</term>
<term>Solo vocal literature</term>
<term>Solo voice</term>
<term>Speech range</term>
<term>Speech rhythm</term>
<term>Tire middle age</term>
<term>Troubadour</term>
<term>Troubadour movement</term>
<term>Urban life</term>
<term>Vocal</term>
<term>Vocal demand</term>
<term>Vocal instrument</term>
<term>Western civilization</term>
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<front><div type="abstract" xml:lang="en">Summary: Notated sacred solo song dates from 1,000 B.C. Early secular song exhibits modest vocal demands of chant-like character. Popular song and liturgical solo song share common origins. Western European secular song notation began in the early Medieval Age. Compositional writing for solo voice took a dramatic turn toward virtuosity about 1600. By the mid-17th century, the modern solo voice emerged. “Classical” solo vocal literature is not static but is constantly evolving, requiring skills far in excess of those of speech or of early solo song literature; this is equally the case with ethnomusicological and popular singing styles. Efficient use of the singing instrument is essential to the healthy accomplishment of all of these literatures.</div>
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The odyssey of Orpheus: The evolution of solo singing

The odyssey of Orpheus: The evolution of solo singing

Source :

Descripteurs français

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri